Author Archives: Dan

Dimetrodon (Salvat)

Review by Ikessauro

For those who don’t know me, I’m Patrick, a member of the DTF, AKA “Ikessauro”. I live in Brazil and started collecting dinosaurs about 6 or 7 years ago. Back then the best dino figures I could find around here were the ones from Salvat collection. This collection, as I found out later, consists of knock offs of the main dino collections, including Carnegie, Battat and Bullyland. One of the models Salvat made was the Dimetrodon, which happens to be a copy of the Bullyland Dimetrodon, the second version, green and brown. So, as I did with the Salvat Acrocanthosaurus, in this review I intend to compare both versions, the Salvat’s and Bullyland’s version of this synapsid.

I’m no expert in anatomy of prehistoric reptiles, but I should say that this Dimetrodon is not bad in this aspect, although it’s not perfect either. The head on both figures doesn’t show the actual bulkiness of the animal’s head and the teeth are sloppily carved in the mouth. The paint application on the teeth isn’t very good either, but at least they are individually done. The sail on the figures looks ok. The skin texture is very scaly, more prominent in some areas and better in the Bullyland version, as the Salvat copy has only some wrinkles on the neck and a smooth head. The Salvat version also doesn’t have the skin fold or veins on the belly and the ear structure and nostrils on the Bully model are much more visible.

It doesn’t take much time to see that the Salvat version is a copy of the Bullyland Dimetrodon, because Salvat didn’t change it very much. The pose is a little different, as the Bullyland figure has the neck turned to left and the copy is turned to right. Actually, if you look on the figures side by side, from an aerial point of view, you will notice that the Salvat Dimetrodon is a mirrored image of its German counterpart. The main difference is the size, because the Salvat one is 19 cm long, while the original from Bullyland is only 15 cm long, what is due to the longer tail on the Salvat model.

Regarding the paint scheme, Salvat didn’t bother to change it, and in fact, the paint in it is shinier than the original, also the brown spots on the sail, which are yellowish tan in color, are much darker. The color in both would be some sort of olive green with brown. The eye on the Salvat version is very simple, just a yellow dot with some black around.

I have both versions because I’m really a completist collector, and also, because when I discovered the originals which inspired the Salvat Collection, I decided to collect every one, to compare. If you already have one of the figures I would recommend you to hold on to it and don’t bother about the other one, unless you are a completist that enjoy looking for rare figures. The Dimetrodon is a bit rare, because was sold only on three countries for a very short period of time (as far as I know), but sometimes pops up or eBay here for reasonable prices, usually costing about ten U.S. dollars give or take.



Allosaurus (Antediluvia Collection)(David Krentz)

Photos by Dan and Jeremy

Although David’s 1:72 scale Antediluvian series has been graced with a few exotic species, he’s giving plenty of love to the classics as well. His considerable talents often present the animal in a new and exciting light, such as the rare uplifted Stegosaurus or surprisingly common closed-jawed theropods.

The beloved Allosaurus fragilis receives a special treatment in his line, as well. Rearing in alarm, with his tail in a flourish, one might be reminded of the tyrannosaur “mating dance” suggested in his instructional DVD. While this carnivore could certainly be attacking another animal, this unusual posture seems decidedly more boastful in nature. It is not hard to imagine a lingering group of females, contemplating the Allo’s fitness while his robust voice echoes through the Jurassic forest.

Granted, the narrative details are left largely to the individual, but to convey such drama from a single tiny sculpt is surely a testament to the ability of the artist. As with most resin models, a small amount of cleanup might be required to remove excess bits of resin. In the photo above, one may notice a small “twig” of resin between the Allo’s claws, which can be easily extricated using a decent utility knife.

The base is fairly important for the dancing Allo, as he teeters on a single foot and would find even more difficulty standing unassisted than his fellow theropods. It features footprints for the performer’s feet to find purchase, though a model builder should be able to position the star just about anywhere he likes. In the buildup photo below, it has been mounted on a custom built base by Martin Garratt.

This buildup was constructed as a diorama, and also features the Antediluvian Apatosaurus. This extends the scene quite a bit, but if you want to display the Allosaurus by itself, it won’t even consume four inches of space on your crammed shelves. Given the quality of the piece though, it probably deserves its own pedestal of sorts.

One obvious question might be, “Can I get this to look like the Allo from Dinosaur Revolution?” Given the stunning level of detailed paint application that Martin has managed to work into this model, I can honestly say that it sounds feasible. Observant viewers may even notice the rows of bumps along the back of his neck, which the series’ European Allo does share. The trickiest part will probably be the mandibular modification, but I expect a skilled builder could still pull this off. At the time this review was written, no known efforts have been made in this respect.

Of course, given the prevalence of other Jurassic denizens in David’s line, one could pair this figure with any number of other critters. While the Kaiyodo Dinotales figures aren’t crafted to a single scale, it would also be possible to use a few of them as companions for this Allo; as I recall, at least one Kaiyodo Allo was about the same size.

While I openly admit to finding excessive favor with Allosaurus, I must say this is one of my favorite pieces in the Antediluvian line. It perfectly demonstrates David’s ability to refresh our image of a classic creature, offering not just another dinosaur, but a unique character with a life of its own.